Linda Gray Sexton is an acclaimed memoirist, novelist and essayist. Her most recent memoir is Bespotted: My Family’s Love Affair with Thirty-Eight Dalmations. (Counterpoint Press 2014). In 2011, she published the memoir Half in Love: Surviving the Legacy of Suicide (Counterpoint Press) and in 1994, published Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton. She has also written several novels, including Private Acts, Mirror Images and Points of Light. She is the author of numerous essays. More at lindagraysexton.com ,
1. What am I working on/writing? Or what book have I just finished writing?
I have just published a memoir called, Bespotted: My Family’s Love Affair With Thirty-Eight Dalmatians this first week in September 2014. It is an account of the way these many dogs influenced my life, and my family’s life, since I was a child up right through to the present. It shows the joy, companionship and happiness dogs have brought into my life, as well as the story of the one Dalmatian who saved me from depression and suicide. I also show, breed and train these dogs and it deals with that world as well.
Right now I am working on a novel tentatively titled Sunday’s Magician. It is moving along slowly because I now have to take care of the publicity and publishing tasks that go along with having a book come out.
2. How does my work/writing differ from others of its genre?
I like to think my work deals with hard truths, with the exception of Bespotted, which is a lighter and more joyful book. Previously, I have published Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton, which is about my relationship with my mother and how I learned to forgive her for her suicide, which occurred when I was twenty-one. Another, Half in Love: Surviving the Legacy of Suicide, which covers the legacy of self-destruction that was left to me and examines my own bipolar disorder and three suicide attempts, followed the first memoir. Some people think of Half in Love as a sequel to Searching for Mercy Street. The final chapters in the book tell the story of my return to health, happiness and love—all that enables me to move on to write the later, lighter memoir, Bespotted.
3. Why do I write what I do?
I write candidly, in any genre, about the truths I find in life. I nearly always write about family relationships and the secrets we keep from one another—and even ourselves. I find it helps me to examine myself if I “tell it true,” as my mother said. Knowing that this is acceptable is liberating and enables me to scrutinize the psychology of others and myself.
4. How does my writing process work?
I work each weekday from nine o’clock to noon, when I break for lunch and do the errands of the day. At lunch I read at the same time I am eating, books that are generally lighter and more commercial, focusing on storyline and character. I resume in my office around two o’clock, reworking previous material rather than creating new, or, if I find myself with “writer’s block,” I read—generally “literature” that will help me hear the rhythms of my own work. Writing is a solitary act and I find I need a lot of self-discipline to be productive. Sometimes I write my first drafts on my laptop computer, and sometimes by hand on a yellow-lined pad of paper with a number two Ticonderoga pencil. These tools comfort me with their familiarity. If I have used paper, I then transcribe onto the computer, editing as I go. I love revising and editing and I hate creating first drafts. My first drafts tend to be awkward attempts and I refine, refine, refine over time. Generally each book goes through twenty or so drafts before I show it to a friend who is a writer, or my writer’s group. I then take their comments and revise before showing it to my agent, who critiques it once again and I make one further revision. She then takes it to my editor. My editor requires further honing and expansion in different spots before it is published at last.